Diego Rivera paintings. Diego Rivera - painter and muralist

Diego Rivera, known by his nickname "the cannibal", was born into a well-to-do family in Guanajuato, Mexico, on December 8, 1886. Diego's twin brother, Carlos, lived only two years. From 1896 to 1902, Rivera studied at the Academy of Fine Arts of San Carlos, and then went to Spain.

In 1922, Rivera joined the Mexican Communist Party, from which he left in 1929. He began to adhere to Trotskyist views, but due to a conflict with Trotsky himself (Leon Trotsky), Diego was expelled from the Mexican section of the Trotskyist “4th International”.

The artist recreated his famous fresco “Man at the Crossroads,” which was destroyed in 1934 by decision of the board of the Rockefeller Center. In a slightly modified version, entitled "Man Controlling the Universe", Trotsky appeared alongside Karl Marx and Friedrich Engels.

Possessing special charm and attractiveness, Diego broke one woman's heart after another. Repeatedly depicting himself as a fat-bellied frog holding someone's heart in his hand, the artist once admitted that he longs to subject women to suffering, especially those with whom he is madly in love.

The first wife of the “cannibal” was the Russian artist Angelina Beloff. The marriage took place in 1911, and the wife gave her husband “everything that only a woman can give a man.” For this, Diego “rewarded” her with “all the suffering that a man can inflict on a woman.”

Passion, intrigue, insane jealousy, despair and even assault - these were the main components of the marriage between Belova and Rivera. Their son was unable to recover from the flu and died in 1918. The couple broke up in 1921, but the Russian artist was never able to burn out the love from her heart for “a man with swollen eyelids and bulging eyes.”

In one of her letters to her ex-husband, Angelina did not fail to say that Diego had become God for her. This “god” somehow accidentally met her in Mexico City and pretended that he did not recognize her or had never known her at all.

While still in his first marriage, Rivera took another Russian artist, Maria Vorobieff-Stebelska, hostage to his love. The heartthrob pressed on his new “victim” until Maria realized that any moral principles were alien to this man. Later in her memoirs, she stated that she was attracted by Diego's unusualness, who had the strength of a genius and the weakness of a child.

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Illegitimate daughter from Marevna, Marika Rivera, who became a theater and film actress and dancer, known for the films “Fiddler on the Roof” and “The Girl on a Motorcycle” ), Diego never admitted it in public. He abandoned his daughter and his wildly insulted and humiliated lover, who left him with a knife scar on his neck as a souvenir, and went to his native land with the goal of starting all over again. Marevna later wrote that River’s guide to life was his lust and passion for women.

Returning to Mexico and inspired by the atmosphere prevailing in the country after the revolution, the artist began to create his monumental works, called murals. In 1922, he married the Mexican model and writer Guadalupe Marín. She gave birth to her husband two daughters.

In 1927, the artist came on a visit to the USSR (USSR), where the following year he was appointed a founding member of the October association. Diego took part in the celebration of the 10th anniversary of the Great October Socialist Revolution in the Russian capital. His sketches of celebration participants in Moscow were shown at an exhibition at New York's Museum of Modern Art. The artist visited the USSR for the second time in 1955-1956.

Without betraying himself, Rivera cheated on his second wife with student Frida Kahlo, who became the main woman in his life. The marriage broke up in 1929, and in the same year, 42-year-old Diego married a 22-year-old “girl from the space race”, who attracted him like a magnet. However, this connection was more spiritual than carnal, and the artist never experienced anything like it in his life.

In 1939, Frida filed for divorce after learning about her husband's infidelity with her sister Christina. Kahlo decided that she also had the right to sleep with whomever she wanted, and Trotsky, who settled in Mexico with his wife in 1937, remained one of her lovers.

However, in 1940, Diego and Frida tied the knot again. Exhausted by separation, the husband was ready to do anything to return his “extroverted nature,” and she demanded to conclude a marriage contract that provided for a complete renunciation of sex. The couple had no children. Suffering from polio and having suffered a terrible car accident, Kahlo, in poor health, suffered two miscarriages.

The artist died on July 13, 1954. They say that she herself begged the Mexican actress María Félix, many of whose portraits Diego painted, to marry River after her death. The wedding did take place, but with Emma Hurtado, the owner of an art salon.

An atheist, Diego became a member of the theological and secret mystical Order of the Rose Cross, founded by American occultist Harvey Spencer Lewis.

When in 1954 Rivera tried to return to the Mexican Communist Party, which considered the Order of the Rose and Cross “suspiciously similar to Freemasonry,” the artist was called to account. Diego initially claimed that he had infiltrated the order, a typical Yankee organization, for the glory of communism.

However, he later assured that, in essence, the order was materialistic in nature, allowing for the existence of various states of matter and energy, and was based on ancient Egyptian occult knowledge from Amenhotep IV and Nefertiti.

Diego Rivera- artist-painter and muralist, who painted many beautiful paintings and frescoes. He was involved in politics and visited the USSR several times, and was friends with Lenin and Trotsky.

Biography

Diego Riveraborn December 08, 1886 in the northwestern part of Mexico. His family was famous and wealthy. At the age of 10, the boy began to learn drawing skills at the Academy of Arts. Diego immediately became interested in art, and thanks to this he made progress. For his excellent studies, the boy received a scholarship, which allowed him to move to Spain. For a long timeDiego Riveratraveled around Europe, gaining knowledge and gaining experience. Here the young man meets famous artists such as Picasso and Reyes.

Artist Diego Riveraformed his style under the influence of various movements: modernism, classical European art, cubism, Mexican art.

Political activity

In 1922, Rivera became interested in politics and joined the Communist Party in Mexico; later he even decided to go to the USSR. Here he takes an active part in the activities of the October association and supports the communists.

A few years later, the artist changes his views in favor of Trotskyism, but the murder of the founder of the movement forces him to join Stalin’s main course.

Frida Kahlo

Frida Kahlo was the name of the bride and future wife of the famous artist. She was born into a simple Mexican family. Despite the serious illness (poliomyelitis) that Frida suffered in childhood, her cheerful disposition and perky character were her hallmarks. At the age of 18, the girl gets into a car accident and damages her ribs and collarbone. A huge number of operations and a long recovery period took many years and left a big mark on her health. The girl was constantly forced to wear a corset, and doctors also said that she would not be able to have children. The sad event brought her even closer to the main passion of her life - painting. This passion introduced the girl to the famous artist.

Personal life of a famous artist

The artist's first wife was Lupe Marin. Their marriage did not work out, and they soon divorced. At the time of meeting his future second wifeDiego Riverawas already a grown man and an accomplished artist. Moreover, he was known as a great womanizer, despite his unattractive appearance. He was quite heavy (more than 100 kg) and ugly. He was even compared to an elephant and a toad. External flaws did not prevent Rivera from enjoying great success with women. His sociability and charm captivated anyone.

The couple met in the schoolyard, where the artist was helping to decorate the walls. The girl decided to show him her work, as a result, their communication first grew into friendship, and soon Rivera asked for the hand of a young girl. He was not embarrassed by her illness and the fact that she could not walk.

Family life

The newlyweds had a fiery temperament, and disagreements often ended in quarrels. The young bride was never afraid to point out to her husband the shortcomings in his work, which greatly offended her husband. He left, but always returned with gifts. Frida loved jewelry very much. It doesn’t matter what it is: stones, glassor real diamonds.

Despite Frida's diagnosis, the couple always dreamed of children. Frida Kahlo was pregnant three times, and three times she had a miscarriage. The family did not despair, and soonDiego Riveradecides to take his wife to the USA to undergo treatment there.

Frida did not like life in America. The USA surprised with its magnificence and indifference to others. Frida, who saw the wrong side of life, could not understand this. Here a woman suffers a serious illness, which only reduces her chances of getting pregnant.

During this time period, Diego Rivera painted the famous mural for Rockefeller Center, which depicted Lenin, among other characters. He joined the hands of the workers. Despite the demand to replace the face of a Russian politician with the face of a stranger, Rivera refused to change anything. He did not receive a cent for his work, and in 1934 the fresco was destroyed. The painter later recreates his famous work in the Palace of Arts in Mexico.

Friendship with Trotsky and family destruction

In 1936, the political situationin the USSR forces Trotsky to flee persecution to Mexico. Here he finds refuge in the house of an old friend of the artist.Rivera and Trotsky became very close and became real friends.

Discord in the family occurred when Diego Rivera found out about the affair between his wife and his close friend. Trotsky was fascinated by his friend’s wife, but Frida did not experience such strong feelings. She wanted more revenge on her unfaithful husband. The politician had to leave his friendly home, and the couple’s relationship only began to deteriorate. Despite his constant infidelities, the husband could not forgive Frida for deceiving her.

Soon decide to break up. During this period of time, Frida's health only worsened. She underwent several difficult operationsFrida. Diego RiveraI couldn’t forget my wife. Time and other relationships could not kill the feelings, and in 1940 they married again. The illness tormented Frida until her last days, and in 1954 she passed away.

During her life, Frida wrotemany famous paintings, one of which was even placed in the Louvre.

Diego Rivera, paintingswho is known all over the world, lived without his beloved wife for only three years. He died in Mexico, and was buried on the territory of the Rotunda of Famous Creators.

Mexican artist Diego Rivera, whose biography is full of controversial events and facts, is one of the most scandalous and prominent cultural figures in Mexico. His work, political views and personal life were the focus of attention throughout the first half of the twentieth century and are still discussed today.

The artist's childhood and youth

This muralist, revolutionary and destroyer of women's hearts, was born on December 8, 1886 in the Mexican town of Guanajuato. He was to become the founder of the Mexican school of national painting and drive critics into a frenzy with his mixture of styles. The boy was not in excellent health; there were rumors that he barely survived as a child. Diego Rivera was a fan of telling tall tales, but it is known for certain that in 1893 his family moved to the capital of the country, Mexico City. After 5 years, having successfully completed school, the young artist entered the San Carlos Academy of Arts. This institution gave the young man such an excellent education that upon completion he was able to receive a scholarship. Taking advantage of the opportunity, he went on a trip to Spain. He then visited England, Belgium, Holland and Italy.

Personal life of the “cannibal”

For his passionate love for women and countless relationships, Diego Rivera was nicknamed “the cannibal.” He himself loved to portray himself as a fat frog clutching someone’s heart in his paw. Natural fullness and heavy eyelids made the resemblance even outwardly noticeable. When describing the personal life of the rebel artist, they usually talk about his marriage to Frida Carlo. But she was not the first, much less the only, woman in the creator’s life. Young Diego Rivera entered into his first marriage out of passionate love for the Russian artist Angelina Belova in 1911. They had a son. But the husband, obsessed with endless passions and betrayals, left Angelina, going to Mexico. The second short-lived marriage ended the relationship with Lupe Marin. The union was fruitful and gave the world two daughters.

Wife and girlfriend

By 1929, when his second marriage had already broken up, he met the main woman of his life, Frida Carlo. Diego Rivera married a much younger girl. In 1939 there was a divorce, but already in 1940 they got married again. Throughout his life, Rivera remained macho and a passionate lover of women. He cheated on his wives with mistresses who bore him illegitimate children.

The relationship between Diego and Frida was full of passion, love, jealousy and sometimes assault. Frida treated her husband’s antics with great patience, idolized her idol, and painted a lot of his portraits. But when he cheated on Frida with her sister, she could no longer forgive, and by 1939 the relationship broke up. Very soon the husband, who himself insultingly demanded a divorce, begged his wife to return to him on any terms. He provided her with financial support and gave in to her main demand. The condition for remarriage was the signing of a marriage contract, providing for a complete renunciation of intimate relations between the spouses. In his personal life, the triangle of Diego Rivera, wife and mistresses remained.

This married couple had no children; 2 of Frida's pregnancies ended in miscarriages. In 1954, Rivera became a widower; later there were suggestions that he helped his wife die, but these are nothing more than rumors. Until their last days, the couple were united by communist ideas and communication with prominent Russian political figures.

Artist in politics

Since the early 30s, Diego Rivera has become the undisputed leader among Mexican muralists. He is certainly one of the most famous and controversial artists, whose political sympathies for communism, compelling monumental frescoes, vigorous creative activity and social life created the image of a genius. The founding father of a new movement in the art of the twentieth century increasingly attracted the attention of the world community.

The muralist's debut in America will take place in 1930 in the city of San Francisco, and already in December 1931 his personal exhibition will be held with amazing excitement. In the entire history of the museum, this was the second exhibition by the same author. Henri Matisse was the first to receive this honor. After the exhibition is over, the artist goes to Detroit, where he was personally invited. Here, in the very center of industrial thought in America, artist Diego Rivera receives an order to paint a mural for the Institute of Arts on the theme “Detroit Industry.” Henry Ford had a reputation as an adamant anti-communist. Between 1929 and 1930, several thousand strikers remained unemployed at Ford plants. It is curious that, despite this, Diego Rivera, who positioned himself as a fighter for the rights of the proletarian, accepts the order and payment from the industrial magnate.

Part of the fresco with the subject composition “Vaccination” seemed to be a reference to the iconography of the Nativity of Christ, which provoked a storm of indignation and protest in the press and church circles against the mural. The loud resonance in society became an integral part of the mural, and then brought great fame to Detroit.

Man at a crossroads

The artist’s political views were reflected in his work and sometimes caused violent conflicts with clients. The fresco “A man at a crossroads, looking with hope to choose a new and better future” became the occasion for one of these cases. Work on it began in March 1933. The debate took place already at the stage of choosing a palette, and in the end the mural became colored at the insistence of the author. It consisted of three parts. In the center is a man - the master of the elements. As work progressed, the fresco became more and more complex and eventually represented two worlds opposed to each other. On the one hand, the delights of socialism, and on the other, the horrors of capitalism. Among the characters there is even someone very similar to Lenin. The mural was to be unveiled to the public at the building's opening on May 1, 1933. But the growing scandal did not allow this to happen, and despite the fact that the Rockefeller family considered the option of preserving the mural outside the building, a decision was made to destroy it. This was Rivera's greatest defeat in creativity and politics.

Influence on world art

“Diego gives me anxiety. He gave up fame, preferring to do what he is doing now,” said Alfonso Reyes about his close friend. The transition to Cubism is significant for Diego Rivera. The paintings “Adoration of the Mother of God” and “Girl with Fruit” reflect the author’s movement in this direction. A feature of recent works has been a deformed understanding of space, although far from cubism. In all his works, the artist emphasized the movement and richness of the landscape.

Classical European styles in painting had a significant influence on the development of Diego Rivera. It was the wall paintings of the period of the 14th - 16th centuries that provided a lot of food for thought and contributed to the success of Diego's frescoes. Beginning in 1940, he achieved considerable success in fresco painting, thanks to which he was invited to work at the World's Fair in San Francisco, and later attracted by the government to paint the National Palace in Mexico City.

Completing the journey

Diego Rivera died on November 24, 1957 in Mexico City and was buried in the Rotunda of the Illustrious Creators. He was contradictory in everything. He readily carried out the orders of the capitalists, glorifying socialism, adhering to communist views. He loved women, but destroyed their destinies and lives with the same passion with which he painted their portraits. Diego Rivera, whose style neither before nor after him could be repeated by any painter, left behind so many secrets and mysteries that even several centuries would not be enough to solve them.

Having passed away at the age of 70, he barely outlived his beloved wife, Frida, and left an invaluable legacy in culture, history, politics and the hearts of those who loved him.

Details Category: Fine arts and architecture of the 20th century Published 10/01/2017 17:57 Views: 1505

Diego Rivera's life is a chain of contradictory events and facts. This is one of the most scandalous and prominent cultural figures in Mexico.

He excited public opinion with his creativity, political views and personal life throughout the first half of the 20th century.

From the biography of the artist (1886-1957)

Diego Maria de la Concepcion Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodriguez - this is his full name. The future artist was born on December 8, 1886 in the city of Guanajuato in northwestern Mexico into a wealthy family. From 1896 to 1902, Rivera took drawing and painting lessons at the Academy of Fine Arts of San Carlos in Mexico City. From 1907 to 1921 he lived in Europe: he studied at the Academy of Fine Arts in Madrid (1907), then lived and worked in Paris (1909-1920), Italy (1920-1921), Belgium, the Netherlands and Great Britain. He was closely acquainted with Pablo Picasso and Alfonso Reyes (Mexican writer).
He was influenced by classical European fine art and modernism (mainly cubism), as well as traditional Mexican art genres and styles.

D. Rivera “Adoration of Our Lady” (1913)
In 1922, Rivera joined the Mexican Communist Party.
In 1927, the artist visited the USSR and even became a founding member of the “October” association here, participated in the celebration of the 10th anniversary of the October Socialist Revolution in Moscow, being on the podium of the Mausoleum of V. I. Lenin. I made sketches of the participants of the celebration in Moscow.
Rivera later accepted Trotskyist views, left the Mexican Communist Party and, after Trotsky arrived in Mexico, gave him shelter in his home. After a conflict between them in 1939, Rivera was expelled from the Mexican section of the Trotskyist 4th International.
Then, having become a supporter of Stalinism, in 1954 he again joined the Mexican Communist Party. In 1955-1956 the artist came to the USSR again.

D. Rivera “May demonstration in Moscow” (1956)
Diego Rivera died on November 24, 1957 in Mexico City and was buried in the Rotunda of Eminent Persons.

Rotunda of Eminent Persons– a site on the territory of the Civil Pantheon of Dolores in Mexico City. Here lie the ashes of famous military men, scientists, and prominent cultural figures of Mexico.
Rivera was married three times. His last wife was the artist Frida Kahlo, the main woman in his life.

Frida Kahlo and Diego Rivera. Photo from 1929

The work of Diego Rivera

In 1922, he became one of the founders of the Mexican school of monumental painting, and painted a huge number of walls of public buildings. He painted the buildings of the Ministry of Education (1923-1929), the Ministry of Health (1929-1930), the National Palace (1929-1950s), the Prado Hotel in Mexico City (1947-1948), the National Agricultural School in Chapingo (1926-1927 ), the Cortez Palace in Cuernavaca (1929-1930), the Detroit Institute of Arts (1932-1933), the Insurgentes Theater (1951-1953), the Olympic Stadium in Mexico City (1952-1953), the Lerma River Water Distribution Chamber (1951-1953 ).

Olympic Stadium in Mexico City
In the 1930s he became one of the most famous artists in Mexico.
One of the main themes in Rivera’s work is folklore stories, beliefs and customs of the people of Mexico, and the events of the revolutionary movement in the country.
In 1932-1933 Rivera created the mural “Man at the Crossroads” by order of the Rockefeller Center in New York. It depicted V.I. Lenin joining the hands of workers and demonstrations on Red Square in Moscow.

D. Rivera “Man at the Crossroads”

D. Rivera. Fresco fragment
The fresco consisted of three parts. In the center is a man - the master of the elements. Two worlds are opposed to each other: socialism with all its advantages - and the horrors of capitalism.
The Rockefeller Center board ordered the mural to be destroyed in 1934 after Rivera refused to replace the image of Lenin with another, unknown image.
The artist recreated the fresco in Mexico City in the Palace of Fine Arts (but an image of Trotsky had already appeared on it). The fresco was called "The Man Who Controls the Universe."

D. Rivera “The Man Who Controls the Universe” (detail with the image of Trotsky)
For several years after 1934, he was engaged primarily in easel painting. He worked in oil and watercolor techniques, preferring portraits and landscapes.
Beginning in 1940, Rivera again turned to fresco painting: he worked for the World Exhibition in San Francisco and painted the National Palace in Mexico City.

Easel painting by D. Rivera

Although the artist’s main work was wall painting and monumental fresco, easel painting occupied a significant place in his work. The Cubist period began around 1913 and did not last long, 2-3 years. Rivera quickly mastered avant-garde styles, achieved perfection in their interpretation and moved on to the next style or direction. He always eagerly learned new things, Picasso became a real discovery for him.

D. Rivera. Portrait of a Man (artist Zinoviev) (1915)
Most of Rivera's works are devoted to political themes. Rivera and Frida Kahlo were communists, actively participated in demonstrations, and met with Russian emigrants.

D. Rivera “Triumph of the Revolution” (1926)
The characters in the picture distribute food and feed children and women. Rivera places the wheel directly behind the head of the character pictured on the left. This is not a halo in the literal sense of the word, but not a single detail in Rivera’s paintings is accidental.
In all his works, the artist focuses on the movement and richness of the landscape.

D. Rivera "Twilight in Acapulco" (1956)
All critics note the features of the artist’s style, which no one could repeat. Or rather, his work is a mixture of styles: realism, symbolism, expressionism, surrealism...

D. Rivera “The Hands of Dr. Moore” (1940)
The canvas depicts the hands of a doctor with a scalpel cutting a tree. Instead of a tree, if you look closely at the picture, you can easily see a female figure, and its roots resemble blood vessels. At the bottom of the painting there is an inscription on the tape: “These are the hands of Dr. Clarence Moore from Los Angeles, from California. They prune the tree of life so that it is renewed and does not die. Painted by Diego Rivera in 1940." Thanks to this caption, the symbolism of the image becomes clear: the doctor cuts the umbilical cord at the birth of a new life.

D. Rivera “Dream of a Sunday in Alameda Park.” Central fragment (1948)
This painting is an image of the traditional Mexican holiday - Day of the Dead. The multi-figure composition includes all layers of Mexican society: portraits of contemporaries, representatives of the Mexican elite, and the poor. The main character of the work is a figure wearing a mask resembling a skull (Katrina mask).

Rivera was the guest of honor at a lecture on contemporary Mexican and Latin American art, which took place in Moscow on November 9, 1927, and he himself gave several lectures at the Academy of Fine Arts, criticizing easel painting.

Diego Rivera first came to the Soviet Union in the fall of 1927, on the eve of the celebration of the 10th anniversary of the October Revolution - and sketched scenes of the demonstration on Red Square in a notebook, preparing forty-five watercolors and many pencil sketches. Some of these watercolors by Rivera were subsequently acquired by Abby Rockefeller as material for a mural in the Rockefeller Center building in New York, which was destroyed at the request of the US government in 1933. A number of sketches were published in Cosmopolitan magazine in September 1932, illustrating Emil Ludwig's article on Stalin.

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Rivera was the guest of honor at a lecture on contemporary Mexican and Latin American art, which took place in Moscow on November 9, 1927, and he himself gave several lectures at the Academy of Fine Arts, criticizing easel painting and calling for attention to the traditions of applied folk art. He plunged headlong into the controversy surrounding the problems of the new revolutionary art, becoming close to the October group, and actively supported the Trotskyist opposition. This caused sharp and sometimes rude criticism of him, and forced him to interrupt his visit early.

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“I will never forget my first impression in Moscow - the organized marching movement of people. Early in the morning snow was falling from the sky. The marching mass was dark, compact, united rhythmically, elastic. The swimming movement of a snake that was more beautiful than any reptile I could imagine. It slowly floated from narrow streets to open squares, it had no end.”

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These are drawings from the Museum of Modern Art in New York (MoMA), which houses Rivera's workbook, which he filled with pencil and watercolor sketches during his six-month stay in the USSR. All the sheets have the date “28” next to the autograph, but it is assumed that 1927 is also there. Thank you clervo for the update, then a piece of his post.

1-6. This and the next five sketches are everyday ones. Some objects are recognizable, it seems, at the level of genetic memory: a stove in a city house, a washbasin and a basin on a stool under it, a bookcase with books and a bust of Ilyich. Communal apartment? May be.

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The seventh drawing from the notebook repeats the sixth (or is this a mistake made when placing the scans on the museum’s website?), so we immediately move on to the eighth sheet from the artist’s notebook.

8-10. Moscow streets decorated for the holiday. Probably some kind of working outskirts. I can’t recognize the area, nothing comes to mind.

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11-16. People gather for a demonstration. The start of the movement to the city center is preceded by a rally. While slogans are blaring from the podium, workers in light dresses are either discussing something or preening themselves.

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From this sheet to the end of the notebook - Red Square and the approaches to it, interspersed with sketches of portraits of demonstrators and spectators of the May Day action.

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Where is that place? There was an idea that the Sukharev Tower was in the background, but the buildings depicted on the right refute this assumption.
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shakko: In 1955-1956, having restored relations with the pro-Soviet Communist Party of Mexico, Rivera once again visited the USSR, painting “May Day Celebration in Moscow” in oil on canvas. And in this picture the demonstration was again going through Red Square.

And here is the famous panel “A man at a crossroads, looking with hope to choose a new and better future,” which Rockefeller commissioned him for his center in New York in 1933. The fresco was almost ready when they saw Trotsky, Lenin, and so on. She was shot down and Rivera was no longer given a job. The color photo is her author's repetition at the Palace of Fine Arts in Mexico City.

Fragments
Lenin, Trotsky, Engels and Marx, holding a red banner on which is written the call: “Workers of all countries, unite in the Fourth International!”

Unity of workers. Portrait of America. 1933

But the Russians in Rivera’s portraits (mostly Parisian acquaintances).

These are two versions of "Portrait of Maximilian Voloshin" (1916). It's really similar!

Some artist Zinoviev (1913), no initials.
UPD rumenica Alexander Petrovich Zinoviev. Painter, graphic artist, set designer. I came from Moscow to study in Paris, but stayed there. I knew Rivera.
https://artinvestment.ru/auctions/2375/biography.html

"Portrait of Marevna", 1914, a Russian Parisian artist who was Rivera's mistress and mother of his daughter Marika

"Motherhood", ca. 1916
Portrait of Angelina Beloff, another Russian artist, Rivera's first legal wife. Here she is with their son Diego (he lived only two years).

Portrait of Ehrenburg. 1915. Meadows Museum (USA)

And here's what's interesting:
In 2019, the Pushkin Museum and the Tretyakov Gallery in Moscow will simultaneously host exhibitions of works by the Mexican artist Frida Kahlo and her husband Diego Rivera.

“We imagined that it would be ideal to make two exhibitions at once, connected to each other: in the Pushkin Museum - an exhibition of Frida Kahlo, and in the Tretyakov Gallery - an exhibition about Diego Rivera and the important tradition that connects him with Soviet art, to compare Rivera’s monumental works with the works of Soviet monumentalists such as Alexander Deineka,” says Marina Loshak, director of the Pushkin Museum. The works of Frida Kahlo will form the core of the “Day of Death” exhibition, which will be held at the Pushkin Museum and will be dedicated to the Mexican holiday of the dead.