EntranceXIX century in Russian literature. Russian literature of the 19th century Russian classic writers of the 19th century who made up
Aksakov Ivan Sergeevich (1823-1886)- poet and publicist. One of the leaders of Russian Slavophiles.
Aksakov Konstantin Sergeevich (1817-1860)– poet, literary critic, linguist, historian. The inspirer and ideologist of Slavophilism.
Aksakov Sergei Timofeevich (1791-1859) - writer and public figure, literary and theater critic. Wrote a book about fishing and hunting. Father of writers Konstantin and Ivan Aksakov. The most famous work: the fairy tale “The Scarlet Flower”.
Annensky Innokenty Fedorovich (1855-1909)– poet, playwright, literary critic, linguist, translator. Author of the plays: “King Ixion”, “Laodamia”, “Melanippe the Philosopher”, “Thamira the Kefared”.
Baratynsky Evgeniy Abramovich (1800-1844)- poet and translator. Author of the poems: “Eda”, “Feasts”, “Ball”, “Concubine” (“Gypsy”).
Batyushkov Konstantin Nikolaevich (1787-1855)- poet. Also the author of a number of well-known prose articles: “On the character of Lomonosov”, “Evening at Kantemir’s” and others.
Belinsky Vissarion Grigorievich (1811-1848)- literary critic. He headed the critical department in the publication Otechestvennye zapiski. Author of numerous critical articles. He had a huge influence on Russian literature.
Bestuzhev-Marlinsky Alexander Alexandrovich (1797-1837)- Byronist writer, literary critic. Published under the pseudonym Marlinsky. Published the almanac "Polar Star". He was one of the Decembrists. Author of prose: “Test”, “Terrible fortune-telling”, “Frigate Nadezhda” and others.
Vyazemsky Pyotr Andreevich (1792-1878)– poet, memoirist, historian, literary critic. One of the founders and first head of the Russian Historical Society. Close friend of Pushkin.
Venevetinov Dmitry Vladimirovich (1805-1827)– poet, prose writer, philosopher, translator, literary critic Author 50 poems. He was also known as an artist and musician. Organizer of the secret philosophical association “Society of Philosophy”.
Herzen Alexander Ivanovich (1812-1870)- writer, philosopher, teacher. The most famous works: novel “Who is to Blame?”, stories “Doctor Krupov”, “The Thieving Magpie”, “Damaged”.
Glinka Sergei Nikolaevich (1776-1847)– writer, memoirist, historian. The ideological inspirer of conservative nationalism. Author of the following works: “Selim and Roxana”, “The Virtues of Women” and others.
Glinka Fedor Nikolaevich (1876-1880)- poet and writer. Member of the Decembrist Society. The most famous works: the poems “Karelia” and “The Mysterious Drop”.
Gogol Nikolai Vasilievich (1809-1852)- writer, playwright, poet, literary critic. Classic of Russian literature. Author: " Dead souls”, the cycle of stories “Evenings on a farm near Dikanka”, the stories “The Overcoat” and “Viy”, the plays “The Inspector General” and “Marriage” and many other works.
Goncharov Ivan Alexandrovich (1812-1891)- writer, literary critic. Author of the novels: “Oblomov”, “Cliff”, “An Ordinary Story”.
Griboedov Alexander Sergeevich (1795-1829)- poet, playwright and composer. He was a diplomat and died in service in Persia. The most famous work is the poem “Woe from Wit,” which served as the source of many catchphrases.
Grigorovich Dmitry Vasilievich (1822-1900)- writer.
Davydov Denis Vasilievich (1784-1839)- poet, memoirist. Hero of the Patriotic War 1812 of the year. Author of numerous poems and war memoirs.
Dal Vladimir Ivanovich (1801-1872)– writer and ethnographer. Being a military doctor, he collected folklore along the way. The most famous literary work is “ Dictionary living Great Russian language." Dahl pored over the dictionary for more 50 years.
Delvig Anton Antonovich (1798-1831)- poet, publisher.
Dobrolyubov Nikolai Alexandrovich (1836-1861)- literary critic and poet. He published under the pseudonyms -bov and N. Laibov. Author of numerous critical and philosophical articles.
Dostoevsky Fyodor Mikhailovich (1821-1881)- writer and philosopher. Recognized classic of Russian literature. Author of works: “The Brothers Karamazov”, “Idiot”, “Crime and Punishment”, “Teenager” and many others.
Zhemchuzhnikov Alexander Mikhailovich (1826-1896)
Zhemchuzhnikov Alexey Mikhailovich (1821-1908)- poet and satirist. Together with his brothers and the writer Tolstoy A.K. created the image of Kozma Prutkov. Author of the comedy “Strange Night” and the collection of poems “Songs of Old Age”.
Zhemchuzhnikov Vladimir Mikhailovich (1830-1884)- poet. Together with his brothers and the writer Tolstoy A.K. created the image of Kozma Prutkov.
Zhukovsky Vasily Andreevich (1783-1852)- poet, literary critic, translator, founder of Russian romanticism.
Zagoskin Mikhail Nikolaevich (1789-1852)- writer and playwright. Author of the first Russian historical novels. Author of the works “The Prankster”, “Yuri Miloslavsky, or Russians in 1612 year", "Kulma Petrovich Miroshev" and others.
Karamzin Nikolai Mikhailovich (1766-1826)- historian, writer and poet. Author of the monumental work “History of the Russian State” in 12 volumes He is the author of the stories: “ Poor Lisa", "Evgeniy and Yulia" and many others.
Kireevsky Ivan Vasilievich (1806-1856)– religious philosopher, literary critic, Slavophile.
Krylov Ivan Andreevich (1769-1844)- poet and fabulist. Author 236 fables, many of which became popular expressions. Published magazines: “Mail of Spirits”, “Spectator”, “Mercury”.
Kuchelbecker Wilhelm Karlovich (1797-1846)- poet. He was one of the Decembrists. Close friend of Pushkin. Author of works: “The Argives”, “The Death of Byron”, “The Eternal Jew”.
Lazhechnikov Ivan Ivanovich (1792-1869)- writer, one of the founders of the Russian historical novel. Author of the novels “The Ice House” and “Basurman”.
Lermontov Mikhail Yurievich (1814-1841)- poet, writer, playwright, artist. Classic of Russian literature. The most famous works: the novel “Hero of Our Time”, the story “Prisoner of the Caucasus”, the poems “Mtsyri” and “Masquerade”.
Leskov Nikolai Semenovich (1831-1895)- writer. The most famous works: “Lefty”, “Cathedrals”, “On Knives”, “Righteous”.
Nekrasov Nikolai Alekseevich (1821-1878)- poet and writer. Classic of Russian literature. Head of the Sovremennik magazine, editor of the Otechestvennye Zapiski magazine. The most famous works: “Who Lives Well in Rus'”, “Russian Women”, “Frost, Red Nose”.
Ogarev Nikolai Platonovich (1813-1877)- poet. Author of poems, poems, critical articles.
Odoevsky Alexander Ivanovich (1802-1839)- poet and writer. He was one of the Decembrists. Author of the poem "Vasilko", the poems "Zosima" and "Elder Prophetess".
Odoevsky Vladimirovich Fedorovich (1804-1869)– writer, thinker, one of the founders of musicology. He wrote fantastic and utopian works. Author of the novel “Year 4338” and numerous short stories.
Ostrovsky Alexander Nikolaevich (1823-1886)– playwright. Classic of Russian literature. Author of plays: “The Thunderstorm”, “Dowry”, “The Marriage of Balzaminov” and many others.
Panaev Ivan Ivanovich (1812-1862)- writer, literary critic, journalist. Author of works: “Mama’s Boy”, “Meeting at the Station”, “Lions of the Province” and others.
Pisarev Dmitry Ivanovich (1840-1868)– literary critic of the sixties, translator. Many of Pisarev’s articles were dismantled into aphorisms.
Pushkin Alexander Sergeevich (1799-1837)- poet, writer, playwright. Classic of Russian literature. Author: poems “Poltava” and “Eugene Onegin”, stories “ Captain's daughter", a collection of stories "Belkin's Tales" and numerous poems. Founded the literary magazine Sovremennik.
Raevsky Vladimir Fedoseevich (1795-1872)- poet. Participant of the Patriotic War 1812 of the year. He was one of the Decembrists.
Ryleev Kondraty Fedorovich (1795-1826) – poet. He was one of the Decembrists. Author of the historical poetic cycle "Dumas". Published the literary almanac "Polar Star".
Saltykov-Shchedrin Mikhail Efgrafovich (1826-1889)- writer, journalist. Classic of Russian literature. The most famous works: “Lord Golovlevs”, “The Wise Minnow”, “Poshekhon Antiquity”. He was the editor of the journal Otechestvennye zapiski.
Samarin Yuri Fedorovich (1819-1876)- publicist and philosopher.
Sukhovo-Kobylin Alexander Vasilievich (1817-1903)– playwright, philosopher, translator. Author of the plays: “Krechinsky’s Wedding”, “The Affair”, “The Death of Tarelkin”.
Tolstoy Alexey Konstantinovich (1817-1875)- writer, poet, playwright. Author of the poems: “The Sinner”, “The Alchemist”, the plays “Fantasy”, “Tsar Fyodor Ioannovich”, the stories “The Ghoul” and “The Wolf’s Adoptive”. Together with the Zhemchuzhnikov brothers, he created the image of Kozma Prutkov.
Tolstoy Lev Nikolaevich (1828-1910)- writer, thinker, educator. Classic of Russian literature. Served in the artillery. Participated in the defense of Sevastopol. The most famous works: “War and Peace”, “Anna Karenina”, “Resurrection”. IN 1901 year was excommunicated from the church.
Turgenev Ivan Sergeevich (1818-1883)- writer, poet, playwright. Classic of Russian literature. The most famous works: “Mumu”, “Asya”, “The Noble Nest”, “Fathers and Sons”.
Tyutchev Fedor Ivanovich (1803-1873)- poet. Classic of Russian literature.
Fet Afanasy Afanasyevich (1820-1892)– lyric poet, memoirist, translator. Classic of Russian literature. Author of numerous romantic poems. Translated Juvenal, Goethe, Catullus.
Khomyakov Alexey Stepanovich (1804-1860)- poet, philosopher, theologian, artist.
Chernyshevsky Nikolai Gavrilovich (1828-1889)- writer, philosopher, literary critic. Author of the novels “What to do?” and “Prologue”, as well as the stories “Alferyev”, “Small Stories”.
Chekhov Anton Pavlovich (1860-1904)- writer, playwright. Classic of Russian literature. Author of the plays “The Cherry Orchard”, “Three Sisters”, “Uncle Vanya” and numerous short stories. Conducted a population census on Sakhalin Island.
The current generation now sees everything clearly, marvels at the errors, laughs at the foolishness of its ancestors, it is not in vain that this chronicle is inscribed with heavenly fire, that every letter in it screams, that a piercing finger is directed from everywhere at it, at it, at the current generation; but the current generation laughs and arrogantly, proudly begins a series of new errors, which posterity will also laugh at later. "Dead Souls"
For what? It's like inspiration
Love the given subject!
Like a true poet
Sell your imagination!
I am a slave, a day laborer, I am a tradesman!
I owe you, sinner, for gold,
For your worthless piece of silver
Pay with divine payment!
"Improvisation I"
Literature is a language that expresses everything a country thinks, wants, knows, wants and needs to know.
In the hearts of simple people, the feeling of the beauty and grandeur of nature is stronger, a hundred times more vivid, than in us, enthusiastic storytellers in words and on paper.
"Hero of our time"
And everywhere there is sound, and everywhere there is light,
And all the worlds have one beginning,
And there is nothing in nature
Whatever breathes love.
In days of doubt, in days of painful thoughts about the fate of my homeland, you alone are my support and support, oh great, mighty, truthful and free Russian language! Without you, how can one not fall into despair at the sight of everything that is happening at home? But one cannot believe that such a language was not given to a great people!
Poems in prose, "Russian language"
So, I complete my dissolute escape,
Prickly snow flies from the naked fields,
Driven by an early, violent snowstorm,
And, stopping in the wilderness of the forest,
Gathers in silver silence
A deep and cold bed.
Listen: shame on you!
It's time to get up! You know yourself
What time has come;
In whom the sense of duty has not cooled,
Who is incorruptibly straight in heart,
Who has talent, strength, accuracy,
Tom shouldn't sleep now...
"Poet and Citizen"
Is it really possible that even here they will not and will not allow the Russian organism to develop nationally, with its own organic strength, and certainly impersonally, servilely imitating Europe? But what should one do with the Russian organism then? Do these gentlemen understand what an organism is? Separation, “detachment” from their country leads to hatred, these people hate Russia, so to speak, naturally, physically: for the climate, for the fields, for the forests, for the order, for the liberation of the peasant, for Russian history, in a word, for everything, They hate me for everything.
Spring! the first frame is exposed -
And noise burst into the room,
And the good news of the nearby temple,
And the talk of the people, and the sound of the wheel...
Well, what are you afraid of, pray tell! Now every grass, every flower is rejoicing, but we are hiding, afraid, as if some kind of misfortune is coming! The thunderstorm will kill! This is not a thunderstorm, but grace! Yes, grace! It's all stormy! The northern lights will light up, you should admire and marvel at the wisdom: “from the midnight lands the dawn rises”! And you are horrified and come up with ideas: this means war or pestilence. Is there a comet coming? I wouldn’t look away! Beauty! The stars have already taken a closer look, they are all the same, but this is a new thing; Well, I should have looked and admired it! And you are afraid to even look at the sky, you are trembling! Out of everything, you have created a scare for yourself. Eh, people! "Storm"
There is no more enlightening, soul-cleansing feeling than that which a person feels when acquainted with a great work of art.
We know that loaded guns must be handled with care. But we don’t want to know that we must treat words in the same way. The word can kill and make evil worse than death.
There is a well-known trick by an American journalist who, in order to increase subscriptions to his magazine, began to publish in other publications the most harsh, arrogant attacks on himself from fictitious persons: some in print exposed him as a swindler and perjurer, others as a thief and murderer, and still others as a debauchee on a colossal scale. He didn’t skimp on paying for such friendly advertisements until everyone started thinking - it’s obvious he’s a curious and remarkable person when everyone is shouting about him like that! - and they began to buy up his own newspaper.
"Life in a Hundred Years"
I... think that I know the Russian person to his very depths, and I do not take any credit for this. I didn’t study the people from conversations with St. Petersburg cab drivers, but I grew up among the people, on the Gostomel pasture, with a cauldron in my hand, I slept with it on the dewy grass of the night, under a warm sheepskin coat, and on Panin’s fancy crowd behind the circles of dusty habits...
Between these two clashing titans - science and theology - there is a stunned public, quickly losing faith in the immortality of man and in any deity, quickly descending to the level of a purely animal existence. Such is the picture of the hour illuminated by the brilliant noonday sun of the Christian and scientific era!
"Isis Unveiled"
Sit down, I'm glad to see you. Throw away all fear
And you can keep yourself free
I give you permission. You know, the other day
I was elected king by everyone,
But it doesn't matter. They confuse my thoughts
All these honors, greetings, bows...
"Crazy"
- What do you want abroad? - I asked him while in his room, with the help of the servants, his things were being laid out and packed for sending to the Warsaw station.
- Yes, just... to feel it! - he said confusedly and with some stupid expression faces.
"Letters from the Road"
Is the point to get through life in such a way as not to offend anyone? This is not happiness. Touch, break, break, so that life boils. I am not afraid of any accusations, but I am a hundred times more afraid of colorlessness than death.
Poetry is the same music, only combined with words, and it also requires a natural ear, a sense of harmony and rhythm.
You experience a strange feeling when, with a light pressure of your hand, you force such a mass to rise and fall at will. When such a mass obeys you, you feel the power of man...
"Meeting"
The feeling of the Motherland should be strict, restrained in words, not eloquent, not talkative, not “waving your arms” and not running forward (to appear). The feeling of the Motherland should be a great ardent silence.
"Secluded"
And what is the secret of beauty, what is the secret and charm of art: in the conscious, inspired victory over torment or in the unconscious melancholy of the human spirit, which does not see a way out of the circle of vulgarity, squalor or thoughtlessness and is tragically condemned to appear complacent or hopelessly false.
"Sentimental Memory"
Since birth I have lived in Moscow, but by God I don’t know where Moscow came from, what it is for, why, what it needs. In the Duma, at meetings, I, together with others, talk about the city economy, but I don’t know how many miles there are in Moscow, how many people there are, how many are born and die, how much we receive and spend, how much and with whom we trade... Which city is richer: Moscow or London? If London is richer, why? And the jester knows him! And when some issue is raised in the Duma, I shudder and be the first to start shouting: “Pass it over to the commission!” To the commission!
Everything new in an old way:
From a modern poet
In a metaphorical outfit
The speech is poetic.
But others are not an example to me,
And my charter is simple and strict.
My verse is a pioneer boy,
Lightly dressed, barefoot.
1926
Under the influence of Dostoevsky, as well as foreign literature, Baudelaire and Edgar Poe, my fascination began not with decadence, but with symbolism (even then I already understood their difference). I entitled the collection of poems, published at the very beginning of the 90s, “Symbols.” It seems that I was the first to use this word in Russian literature.
The running of changeable phenomena,
Past the howling ones, speed up:
Merge the sunset of achievements into one
With the first shine of tender dawns.
From the lower reaches of life to the origins
In a moment, a single overview:
In one face with a smart eye
Collect your doubles.
Unchanging and wonderful
Gift of the Blessed Muse:
In the spirit the form of harmonious songs,
There is life and heat in the heart of the songs.
"Thoughts on Poetry"
I have a lot of news. And all are good. I'm lucky". It's written to me. I want to live, live, live forever. If you only knew how many new poems I wrote! More than a hundred. It was crazy, a fairy tale, new. Publishing new book, not at all similar to the previous ones. She will surprise many. I changed my understanding of the world. No matter how funny my phrase may sound, I will say: I understand the world. For many years, perhaps forever.
K. Balmont - L. Vilkina
Man - that's the truth! Everything is in man, everything is for man! Only man exists, everything else is the work of his hands and his brain! Human! It's great! It sounds... proud!
"At the bottom"
I feel sorry for creating something useless and no one needs right now. A collection, a book of poems at this time is the most useless, unnecessary thing... I do not want to say that poetry is not needed. On the contrary, I maintain that poetry is necessary, even necessary, natural and eternal. There was a time when everyone seemed to need entire books of poetry, when they were read in bulk, understood and accepted by everyone. This time is the past, not ours. The modern reader does not need a collection of poems!
Language is the history of a people. Language is the path of civilization and culture. That is why studying and preserving the Russian language is not an idle activity because there is nothing to do, but an urgent necessity.
What nationalists and patriots these internationalists become when they need it! And with what arrogance they mock the “frightened intellectuals” - as if there is absolutely no reason to be afraid - or at the “frightened ordinary people”, as if they have some great advantages over the “philistines”. And who, exactly, are these ordinary people, the “prosperous townsfolk”? And who and what do revolutionaries care about, in general, if they so despise the average person and his well-being?
"Cursed Days"
In the struggle for their ideal, which is “liberty, equality and fraternity,” citizens must use means that do not contradict this ideal.
"Governor"
“Let your soul be whole or split, let your worldview be mystical, realistic, skeptical, or even idealistic (if you are so unhappy), let creative techniques be impressionistic, realistic, naturalistic, let the content be lyrical or fabulistic, let there be a mood, an impression - whatever you want, but I beg you, be logical - may this cry of the heart be forgiven me! – are logical in concept, in the structure of the work, in syntax.”
Art is born in homelessness. I wrote letters and stories addressed to a distant, unknown friend, but when the friend came, art gave way to life. I'm talking, of course, not about home comfort, but about life, which means more than art.
"You and I. Love Diary"
An artist can do no more than open his soul to others. You cannot present him with pre-made rules. It is a still unknown world, where everything is new. We must forget what captivated others; here it is different. Otherwise, you will listen and not hear, you will look without understanding.
From Valery Bryusov's treatise "On Art"
Well, let her rest, she was exhausted - they tormented her, alarmed her. And as soon as it’s light, the shopkeeper gets up, starts folding her goods, grabs a blanket, goes and pulls out this soft bedding from under the old woman: wakes the old woman up, gets her on her feet: it’s not dawn, please get up. It's nothing you can do. In the meantime - grandmother, our Kostroma, our mother, Russia! "
"Whirlwind Rus'"
Art never addresses the crowd, the masses, it speaks to the individual, in the deep and hidden recesses of his soul.
Mikhail Andreevich Osorgin (Ilyin) (1878 - 1942)
How strange /.../ There are so many cheerful and cheerful books, so many brilliant and witty philosophical truths, but there is nothing more comforting than Ecclesiastes.
Babkin was brave, read Seneca
And, whistling carcasses,
Took it to the library
Noting in the margin: “Nonsense!”
Babkin, friend, is a harsh critic,
Have you ever thought
What a legless paralytic
A light chamois is not a decree?..
"Reader"
.jpg)
The critic's word about the poet must be objectively concrete and creative; the critic, while remaining a scientist, is a poet.
"Poetry of the Word"
Only great things should be thought about, only great tasks should a writer set himself; put it boldly, without being embarrassed by your personal small strengths.
“It’s true that there are goblins and water creatures here,” I thought, looking in front of me, “and maybe some other spirit lives here... A powerful, northern spirit that enjoys this wildness; maybe real northern fauns and healthy, blond women wander in these forests, eat cloudberries and lingonberries, laugh and chase each other.”
"North"
You need to be able to close a boring book...leave a bad movie...and part with people who don't value you!
Out of modesty, I will be careful not to point out the fact that on my birthday the bells were rung and there was general popular rejoicing. Evil tongues connected this rejoicing with some great holiday that coincided with the day of my birth, but I still don’t understand what another holiday has to do with it?
That was the time when love, good and healthy feelings were considered vulgarity and a relic; no one loved, but everyone thirsted and, as if poisoned, fell for everything sharp, tearing apart the insides.
"The Road to Calvary"
“Well, what’s wrong,” I say to myself, “at least in a short word for now?” After all, exactly the same form of saying goodbye to friends exists in other languages, and there it does not shock anyone. great poet Walt Whitman, shortly before his death, said goodbye to his readers with a touching poem “So long!”, which means in English - “Bye!”. The French a bientot has the same meaning. There is no rudeness here. On the contrary, this form is filled with the most gracious courtesy, because the following (approximately) meaning is compressed here: be prosperous and happy until we see each other again.
"Alive as Life"
Switzerland? This is a mountain pasture for tourists. I myself have traveled all over the world, but I hate these ruminant bipeds with Badaker for a tail. They devoured all the beauty of nature with their eyes.
"Island of Lost Ships"
Everything that I have written and will write, I consider only mental rubbish and I do not regard my merits as a writer as anything. And I’m surprised and perplexed why by appearance smart people find some meaning and value in my poems. Thousands of poems, whether mine or those of the poets I know in Russia, are not worth one singer from my bright mother.
I am afraid that Russian literature has only one future: its past.
Article "I'm afraid"
We have been looking for a long time for such a task, similar to a lentil, so that the connected rays of the work of artists and the work of thinkers, directed by it to a common point, would meet in general work and could ignite and turn even the cold substance of ice into a fire. Now such a task - the lentil that guides together your stormy courage and the cold mind of thinkers - has been found. This goal is to create a common written language...
"Artists of the World"
He adored poetry and tried to be impartial in his judgments. He was surprisingly young at heart, and perhaps also in mind. He always seemed like a child to me. There was something childish in his buzz cut head, in his bearing, more like a gymnasium than a military one. He liked to pretend to be an adult, like all children. He loved to play “master”, the literary superiors of his “gumilets,” that is, the little poets and poetesses who surrounded him. The poetic children loved him very much.
Khodasevich, "Necropolis"
Me, me, me. What a wild word!
Is that guy over there really me?
Did mom love someone like that?
Yellow-gray, half-gray
And all-knowing, like a snake?
You have lost your Russia.
Did you resist the elements?
Good elements of dark evil?
No? So shut up: you took me away
You are destined for a reason
To the edges of an unkind foreign land.
What's the use of moaning and groaning -
Russia must be earned!
"What you need to know"
I didn't stop writing poetry. For me, they contain my connection with time, with new life my people. When I wrote them, I lived by the rhythms that sounded in the heroic history of my country. I am happy that I lived during these years and saw events that had no equal.
All the people sent to us are our reflection. And they were sent so that we, looking at these people, correct our mistakes, and when we correct them, these people either change too or leave our lives.
In the wide field of Russian literature in the USSR, I was the only literary wolf. I was advised to dye the skin. Ridiculous advice. Whether a wolf is dyed or shorn, it still does not look like a poodle. They treated me like a wolf. And for several years they persecuted me according to the rules of a literary cage in a fenced yard. I have no malice, but I am very tired...
From a letter from M.A. Bulgakov to I.V. Stalin, May 30, 1931.
When I die, my descendants will ask my contemporaries: “Did you understand Mandelstam’s poems?” - “No, we didn’t understand his poems.” “Did you feed Mandelstam, did you give him shelter?” - “Yes, we fed Mandelstam, we gave him shelter.” - “Then you are forgiven.”
Maybe go to the House of Press - there is one sandwich with chum caviar and a debate - “about the proletarian choral reading”, or to the Polytechnic Museum - there are no sandwiches there, but twenty-six young poets read their poems about the “locomotive mass”. No, I will sit on the stairs, shiver from the cold and dream that all this is not in vain, that, sitting here on the step, I am preparing the distant sunrise of the Renaissance. I dreamed both simply and in verse, and the results turned out to be rather boring iambics.
"The Extraordinary Adventures of Julio Jurenito and His Students"
The nineteenth century is the golden age of Russian literature. During this period, a whole galaxy of literary geniuses, poets and prose writers was born, whose unsurpassed creative skill determined the further development of not only Russian literature, but also foreign literature.
The subtle interweaving of social realism and classicism in literature absolutely corresponded to the national ideas and canons of that time. In the 19th century, such acute social problems as the need to change priorities, rejection of outdated principles and confrontation between society and the individual began to arise for the first time.
The most significant representatives of Russian classics of the 19th century
Word geniuses like A.A. Bestuzhev-Marlinsky and A.S. Griboedov, in their works openly demonstrated contempt for the upper strata of society for their selfishness, vanity, hypocrisy and immorality. V.A. Zhukovsky, on the contrary, with his works introduced dreaminess and sincere romance into Russian literature. He tried in his poems to get away from the gray and boring everyday life in order to show in all its colors the sublime world that surrounds man. Speaking about Russian literary classics, one cannot fail to mention the great genius A.S. Pushkin - poet and father of the Russian literary language. The works of this writer made a real revolution in the world of literary art. Pushkin’s poetry, the story “The Queen of Spades” and the novel “Eugene Onegin” became a stylistic approach that was repeatedly used by many domestic and world writers.
Among other things, the literature of the nineteenth century was also characterized by philosophical concepts. They are most clearly revealed in the works of M.Yu. Lermontov. Throughout his creative career, the author admired Decembrist movements and defended freedoms and human rights. His poems are imbued with criticism of imperial power and opposition calls. A.P. “lit up” in the field of drama. Chekhov. Using subtle but “prickly” satire, the playwright and writer ridiculed human vices and expressed contempt for the vices of representatives of the noble nobility. His plays from the moment of his birth to this day have not lost their relevance and continue to be staged on the stage of theaters all over the world. It is also impossible not to mention the great L.N. Tolstoy, A.I. Kuprina, N.V. Gogol, etc.
Group portrait of Russian writers - members of the editorial board of the Sovremennik magazine».
Ivan Turgenev, Ivan Goncharov, Leo Tolstoy, Dmitry Grigorovich, Alexander Druzhinin, Alexander Ostrovsky.
Features of Russian literature
In the nineteenth century, Russian realistic literature achieved an unprecedented level of artistic perfection. Its main distinctive feature there was originality. The second half of the 19th century in Russian literature passed with the idea of a decisive democratization of artistic creation and under the sign of an intense ideological struggle. Among other things, pathos changed during this time frame artistic creativity, as a result of which the Russian writer was faced with the need for an artistic understanding of the unusually mobile and rapid elements of existence. In such a situation, literary synthesis arose in much narrow temporal and spatial periods of life: the need for a certain localization and specialization was dictated by the special state of the world, characteristic of the era of the second half of the nineteenth century.
Literature in the 19th century in Russia is associated with the rapid flowering of culture. Spiritual uplift and importance are reflected in the immortal works of writers and poets. This article is dedicated to representatives of the Golden Age of Russian literature and the main trends of this period.
Historical events
Literature in the 19th century in Russia gave birth to such great names as Baratynsky, Batyushkov, Zhukovsky, Lermontov, Fet, Yazykov, Tyutchev. And above all Pushkin. Near historical events this period was marked. The development of Russian prose and poetry was influenced by Patriotic War 1812, and the death of the great Napoleon, and the passing of Byron. The English poet, like the French commander, for a long time dominated the minds of revolutionary-minded people in Russia. and the Russian-Turkish war, as well as echoes french revolution, heard in all corners of Europe - all these events turned into a powerful catalyst for advanced creative thought.
While in Western countries were carried out revolutionary movements and the spirit of freedom and equality began to emerge, Russia strengthened its monarchical power and suppressed uprisings. This could not go unnoticed by artists, writers and poets. Literature of the early 19th century in Russia is a reflection of the thoughts and experiences of the advanced strata of society.
Classicism
This aesthetic movement is understood as an artistic style that originated in European culture in the second half of the 18th century. Its main features are rationalism and adherence to strict canons. Classicism of the 19th century in Russia was also distinguished by its appeal to ancient forms and the principle of three unities. Literature, however, in this artistic style began to lose ground already at the beginning of the century. Classicism was gradually replaced by such movements as sentimentalism and romanticism.
Masters of artistic expression began to create their works in new genres. Works in the style of historical novels, romantic stories, ballads, odes, poems, landscape, philosophical and love lyrics gained popularity.
Realism
Literature in the 19th century in Russia is associated primarily with the name of Alexander Sergeevich Pushkin. Closer to the thirties, realistic prose took a strong position in his work. It should be said that the founder of this literary movement in Russia is Pushkin.
Journalism and satire
Some features of European culture of the 18th century were inherited by the literature of the 19th century in Russia. We can briefly outline the main features of poetry and prose of this period - satirical nature and journalisticism. The tendency to depict human vices and shortcomings of society is observed in the works of writers who created their works in the forties. In literary criticism, it was later determined that the authors of satirical and journalistic prose were united. “Natural school” was the name of this artistic style, which, however, is also called “Gogol’s school.” Other representatives of this literary movement are Nekrasov, Dal, Herzen, Turgenev.
Criticism
The ideology of the “natural school” was substantiated by the critic Belinsky. The principles of the representatives of this literary movement became the denunciation and eradication of vices. Characteristic feature became in their work social issues. The main genres are essay, socio-psychological novel and social story.
Literature in the 19th century in Russia developed under the influence of the activities of various associations. It was in the first quarter of this century that there was a significant rise in the journalistic field. Belinsky had a huge influence. This man had an extraordinary ability to sense the poetic gift. It was he who was the first to recognize the talent of Pushkin, Lermontov, Gogol, Turgenev, Dostoevsky.
Pushkin and Gogol
The literature of the 19th and 20th centuries in Russia would have been completely different and, of course, not so bright without these two authors. They had a huge influence on the development of prose. And many of the elements that they introduced into literature have become classical norms. Pushkin and Gogol not only developed such a direction as realism, but also created completely new artistic types. One of them is the image of the “little man”, which later received its development not only in the works of Russian authors, but also in foreign literature nineteenth and twentieth centuries.
Lermontov
This poet also had a significant influence on the development of Russian literature. After all, it was he who created the concept of “hero of time.” With his light hand it entered not only literary criticism, but also social life. Lermontov also took part in the development of the psychological novel genre.
The entire period of the nineteenth century is famous for the names of talented great personalities who worked in the field of literature (both prose and poetry). Russian authors at the end of the eighteenth century adopted some of the merits of their Western colleagues. But due to a sharp leap in the development of culture and art, it eventually became an order of magnitude higher than the Western European one that existed at that time. The works of Pushkin, Turgenev, Dostoevsky and Gogol have become the property of world culture. The works of Russian writers became the model on which German, English and American authors later relied.
(estimates: 51
, average: 3,98
out of 5)
In Russia, literature has its own direction, different from any other. The Russian soul is mysterious and incomprehensible. The genre reflects both Europe and Asia, which is why the best classical Russian works are extraordinary, striking in their soulfulness and vitality.
The main character is the soul. For a person, his position in society, the amount of money is not important, it is important for him to find himself and his place in this life, to find the truth and peace of mind.
The books of Russian literature are united by the features of a writer who has the gift of the great Word, who has completely devoted himself to this art of literature. The best classics saw life not flatly, but multifacetedly. They wrote about life not of random destinies, but of those expressing existence in its most unique manifestations.
Russian classics are so different, with different destinies, but what unites them is that literature is recognized as a school of life, a way of studying and developing Russia.
Russian classical literature was created by the best writers from different parts of Russia. It is very important where the author was born, because this determines his formation as a person, his development, and it also affects his writing skills. Pushkin, Lermontov, Dostoevsky were born in Moscow, Chernyshevsky in Saratov, Shchedrin in Tver. Poltava region in Ukraine is the birthplace of Gogol, Podolsk province - Nekrasov, Taganrog - Chekhov.
The three great classics, Tolstoy, Turgenev and Dostoevsky, were completely different people from each other, had different destinies, complex characters and great talents. They made a huge contribution to the development of literature by writing their best works, which still excite the hearts and souls of readers. Everyone should read these books.
Another important difference between the books of Russian classics is that they ridicule the shortcomings of a person and his way of life. Satire and humor are the main features of the works. However, many critics said that this was all slander. And only true connoisseurs saw how the characters are both comical and tragic at the same time. Such books always touch the soul.
Here you can find the best works of classical literature. You can download books of Russian classics for free or read them online, which is very convenient. 
We present to your attention 100 best books Russian classics. IN full list The books included the best and most memorable works of Russian writers. This literature is known to everyone and is recognized by critics from all over the world.
Of course, our list of top 100 books is just a small part that brings together the best works of the great classics. It can be continued for a very long time.
A hundred books that everyone should read in order to understand not only how they used to live, what were the values, traditions, priorities in life, what they were striving for, but to find out in general how our world works, how bright and pure the soul can be and how valuable it is for a person, for the development of his personality.
The top 100 list includes the best and most famous works of Russian classics. The plot of many of them is known from school. However, some books are difficult to understand at a young age and require wisdom that is acquired over the years.
Of course, the list is far from complete; it can be continued endlessly. Reading such literature is a pleasure. She doesn’t just teach something, she radically changes lives, helps us understand simple things that we sometimes don’t even notice.
We hope you liked our list of classic books of Russian literature. You may have already read some of it, and some not. A great reason to make your own personal list of books, your top ones that you would like to read.